“[At New Caledonia,] I had my own ideas for an orchestra: I wanted to shake palm branches, strike bamboo, create a horn from shells, and use the tones produced by a leaf pressed against the lips. In short, I wanted a Kanaka orchestra, complete with quarter tones. Thanks to knowledge I had gotten from Daoumi and the Kanakas who brought supplies, I believed I knew enough to try. But my plan was blocked by the Committee for Light Classical Theater. Indeed, they accused me of being a savage.”Louise Michel, 1888